Originally trained as a figurative oil painter, everything changed when I discovered pyrography, ie., wood burning. I immediately loved the smell of the wood as it burned, and the texture of the lines as they formed. This ancient technique is typically considered “craft” or “handiwork” and, because wood is involved, pyrography is often also seen as stereotypically masculine. The imagery and the ideas behind my work, however, are based on the traditionally feminine endeavors — like hair braiding, weaving, witchcraft, etc. I am constantly digging into the narratives we’ve been fed on what it means to be feminine, and how those traits are inherently viewed as weaker, not as smart, or not having value. For example, the color pink often infers being “girly, and therefore not as smart”; or presenting ourselves as well put together — having a perfect, very controlled french braid — automatically makes a more reliable and therefore valuable woman.

As I work, hours and hours going into each piece, I am constantly thinking about this balance of masculine and feminine. I have these conversations quietly in my own mind while my hands take the time to burn every individual line. Because there is no way to rush through the process, each artwork becomes a meditation — and I invite the viewer to join me in this calming place. In a world designed to continuously pull our attention in completely different directions all at once, these pieces are meant to be moments of stillness and reflection.

No matter what you see or feel when interacting with my work, I hope to present a meditative moment where there is always something new to see and thoughtful conversations to be had.